PRICE*: $10 ($8 members) | VIEWING WINDOW: 3 days WATCH ON: Computer, tablet, smartphone, Chromecast, AirPlay (or use a HDMI cable to connect your computer or tablet with your TV) NEED HELP? Belcourt FAQs *Because we’re streaming WHITE RIOT through the Belcourt's ticketing system, we’re delighted to be able to provide member pricing for this film. When prompted, sign in or create a Belcourt account. If you’d like to consider an additional donation to the Belcourt, we’d be most grateful. You can do so here.
Adapted from Jack London’s 1909 novel and relocated to a provocatively unspecified moment in Italy’s history, MARTIN EDEN is a passionate and enthralling narrative fresco in the tradition of the great Italian classics. Brazen autodidact Martin (Luca Marinelli) is a proletarian student of the world with artistic aspirations to become a writer and rise above his station to marry a wealthy young university student (Jessica Cressy). The dissatisfactions of working-class toil and bourgeois success lead to political awakening and destructive anxiety in this enveloping, superbly mounted coming-of-age story.
Winner of the Best Actor prize at the Venice Film Festival and the Platform Prize at the Toronto International Film Festival.
“Breathes new life into Jack London… A richly involving character portrait and a sprawling intellectual and aesthetic feast, MARTIN EDEN transplants Jack London’s 1909 Oakland-set novel to Italy at an unspecified moment during the 20th century. Luca Marinelli gives a star-making turn.” —Justin Chang, Los Angeles Times “...Momentous in ways that many [director Pietro] Marcello enthusiasts may not expect: distinctly big, dramatic, and affecting, it confirms Marcello’s burgeoning talents and marks the belated arrival of a singular artist to the international art-house stage.” —Jordan Cronk, Cinema Scope “A portrait of a writer-cum-militant swells into a larger canvas of a community heading straight into the abyss. But in Marcello’s lyrical and anachronistic world, the lurking crisis feels unnervingly close: that perturbing, disorienting vividness may well be MARTIN EDEN’s crowning glory.” —Leonardo Goi, MUBI
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