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Belcourt - Nashville's Nonprofit Cinema

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Virtual: SIBYL

SUB Subtitled
Virtual: SIBYL
PRICE*: $10 ($8 Belcourt members) | VIEWING WINDOW: 3 days
WATCH ON: Computer, tablet, smartphone, Chromecast, AirPlay (or use a HDMI cable to connect your computer or tablet with your TV)
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*For non-members, your ticket purchase will also include a $1.50 service fee, added during check-out. We’re delighted to be able to provide member pricing for this film. When prompted, sign-in or create a Belcourt account.

If you’d like to consider an additional donation to the Belcourt, we’d be most grateful. You can do so here.

Past and present collide in an increasingly complicated and highly entertaining fashion in Justine Triet’s intricate study of the professional and personal masks we wear as we perform our daily lives. Psychotherapist Sibyl (Virginie Efira) abruptly decides to leave her practice to restart her writing career — only to find herself increasingly embroiled in the life of a desperate new patient. The patient, Margot (Adèle Exarchopoulos), is a movie star dealing with the aftermath of a traumatic affair with her costar, Igor (Gaspard Ulliel), while trying to finish a film shoot under the watchful eye of a demanding director (TONI ERDMANN’s Sandra Hüller), who happens to be Igor’s wife.

Sibyl, negotiating her own past demons, makes the fateful decision to use Margot’s experiences as inspiration for her book, as boundaries of propriety fall one after another. As Triet proved in her previous film IN BED WITH VICTORIA, which also starred the magnificently expressive Efira, the director is a master at creating heroines of intense complexity, and of maintaining a tricky balance between volatile drama and sly comedy. (Synopsis from the New York Film Festival)

“A stylish thriller with dark ideas about the dangers of storytelling… An elegant and clever portrait of a creative crisis.”  —Eric Kohn, IndieWire

“[Director Justine] Triet’s chic, blackly comic psychodrama piles up bad decisions like so many profiteroles in a croquembouche, admiring the teetering spectacle of its chaos as it goes. Indeed, the tail-end of this year’s Cannes competition was the ideal place to program a film that effectively plays as cinematic dessert…” —Guy Lodge, Variety

"Effortlessly evocative." —Manuela Lazic, Cinema Scope

The Belcourt Theatre does not provide advisories about subject matter or potential triggering content, as sensitivities vary from person to person.

Beyond the synopses, trailers and review links on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense MediaIMDb and DoesTheDogDie.com as well as through general internet searches.


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