“I'm gonna get you high today, 'cause it's Friday; you ain't got no job... and you ain't got s#!t to do.” After being fired on his day off, down-on-his-luck Craig Jones (Ice Cube) has to help his friend Smokey (Chris Tucker) figure out a way to pay back the brutal drug dealer whose weed they smoked.

When a woman is arrested for attempting to kill her husband after discovering him with his mistress, married lawyers Adam and Amanda Bonner (Spencer Tracy, Katharine Hepburn) square off as opposing attorneys in one of the wittiest courtroom battles of the sexes ever depicted on film.

Hilarious and surreal, this stop-motion extravaganza stars three plastic toys named Cowboy, Indian and Horse who share a rambling house in a rural town that never fails to attract the weirdest events. Age Recommendation: 9+

A day in the life of the employees of Empire Records when everything comes to a head for a number of them facing personal crises. Can they pull through together? And more importantly, can they keep their record store independent and not swallowed up by corporate greed? In celebration of Record Store Day.

Two exceptionally strong personalities clash over the computerization of a TV network’s research department.

This electrifying journey through the public and private worlds of pop culture mega-icon Grace Jones contrasts musical sequences with intimate personal footage, all the while brimming with Jones’s bold aesthetic.

In Yasujirō Ozu’s silent crime drama from 1933, a gangster tries to find redemption with the inadvertent help of an innocent shop girl and his jealous girlfriend will do anything to keep him.

Katharine Hepburn’s sensitive portrayal of the lonely heroine and Jack Hildyard’s glorious Technicolor photography make SUMMERTIME an endearing and visually enchanting film. Directed by David Lean (LAWRENCE OF ARABIA).

When a composer (David Hemmings) witnesses a brutal murder, his search for the killer leads him down a path of discovery filled with vicious slayings, haunted spaces, and mysterious secrets, in this psychedelic masterpiece from Italian filmmaker par excellence Dario Argento.

Part of Staff Picks, and programmed by James, who says: “YEAR OF THE DRAGON is a film I’ve wanted to see for years. Strap yourself in for a thrill ride of action, ethics questioning, and obsession.”

Spencer Tracy and Katharine Hepburn star as bewildered parents whose daughter returns home with her new new fiancé, a distinguished African-American doctor whose own parents are equally dismayed.

Kris Kristofferson, James Coburn and Bob Dylan star in this story of friendship and betrayal that has become one of the greatest legends of the American West. Directed by Sam Peckinpah.

Based on the Marvel Comics book. Blade (Wesley Snipes), the immortal warrior, battles a thriving underworld of vampires seeking to decimate the human race.

It’s Christmas Court in 1183. The three sons of King Henry II (Peter O’Toole) all want to inherit the throne, but he won't commit to a choice. They and his estranged wife (Katharine Hepburn) variously plot to force the King’s decision. New 4K DCP Restoration.

Part of Staff Picks and programmed by Andre, who says “There's not a day that goes by I don't think about this movie. Every set piece pushes to be remembered. The orchestral movement endeavors to be iconic as the Batman fights to be your favorite mysterious hero and the Joker, your favorite theatrical villain.”

Tom Waits’ 1988 concert doc, filmed in California and drawing heavily from Waits’ Rain Dogs and Frank’s Wild Years, finds Waits incorporating theatrics and alter-ego into his unique performing style.

Both Katharine Hepburn and Henry Fonda took home Oscars for their roles as retirees weathering the changes of age while summering at their New England home on the shores of idyllic Golden Pond.

Part of Staff Picks, and programmed by Dillon, who says: “KILLER OF SHEEP is a tender, disjointed portrait of a working-class father trying to provide and make sense of it all in 1970s Watts, California. Though it was shot for less than $10,000…it is now lauded as a pillar of African-American cinema and has been preserved in the Library of Congress’s National Film Registry.”