Each morning Donya (Anaita Wali Zada) leaves her tight-knit community of Afghan immigrants in Fremont, California. She crosses the Bay to work at a family-run fortune cookie factory in San Francisco. Donya drifts through her routine, struggling to connect with the culture and people of her new, unfamiliar surroundings while processing complicated feelings about her past as a translator for the U.S. government in Afghanistan. Unable to sleep, she finagles her way into a regular slot with a therapist (Gregg Turkington) who grasps for prospective role models. When an unexpected promotion at work thrusts Donya into the position to write her own story, she communicates her loneliness and longing through a concise medium: the fortunes inside each cookie. Donya’s koans travel, making a humble social impact and expanding her world far beyond Fremont and her turbulent past, including an encounter with a quiet auto mechanic (The Bear’s Jeremy Allen White) who could stand to see his own world expanded. Tenderly sculpted and lyrically shot in black-and-white, Babak Jalali’s FREMONT is a wry, deadpan vision of the universal longing for home.
“Crafted with stillness, empathy, and clever drollness, FREMONT is so striking it will simply and calmly demand your attention.” —Rodrigo Perez, The Playlist “An intimate dramedy that strikes a delicate balance between melancholy and wryness.” —Hannah Strong, Little White Lies “Complimented by beautiful black-and-white photography, bone-dry humor, and engrossing performances, FREMONT is a refreshing take on the lonely heart.” —Kent M. Wilhelm, Tilt Magazine