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Repertory

MIND GAME
Fri, Nov 14 at Midnight

MIND GAME

Buckle in and prepare to surrender yourself to an exhilarating and wildly entertaining ride. Cult classic MIND GAME is an explosion of unconstrained expression — gloriously colorful images ricochet in rapid fire associations, like Masaaki Yuasa’s brain splattered onto the screen in all its goopy glory.
REDLINE
Sat, Nov 15 at Midnight

REDLINE

A daredevil driver and his secret love face off in the most dangerous and exciting car race in the universe, the Redline. Takeshi Koike (THE ANIMATRIX) directs and animates this high-speed thrill.
SUNSET BOULEVARD
Sat, Nov 15 at 12:00pm | Sun, Nov 16 at 11:40am, 5:00pm

SUNSET BOULEVARD

75th Anniversary – Gloria Swanson as Norma Desmond, an aging silent film queen, and William Holden as the struggling writer who is held in thrall by her madness, created two of the screen's most memorable characters. From the unforgettable opening sequence through the inevitable unfolding of tragic destiny, the film is Billy Wilder’s definitive statement on the dark and desperate side of Hollywood.
IN THE MOOD FOR LOVE with In The Mood For Love 2001
Sun, Nov 16 at 12:00pm, 7:30pm

IN THE MOOD FOR LOVE with In The Mood For Love 2001

IN THE MOOD FOR LOVE is a masterful evocation of romantic longing and fleeting moments — as well as a stylistic influence on the past quarter century of filmmaking and a milestone in Wong’s redoubtable career.
Seminar: The History of The Opry at Belcourt + NASHVILLE REBEL (35mm)
Mon, Nov 17 | Seminar at 7:00pm, Film at 8:00pm

Seminar: The History of The Opry at Belcourt + NASHVILLE REBEL (35mm)

As the Grand Ole Opry grew into a national institution, it spent seven formative months on our stage — then the Hillsboro Theatre. This seminar revisits the Opry’s brief but pivotal stay at the Belcourt (1935–1936), correcting the historical record and exploring its enduring impact on Nashville’s cultural and filmmaking identity while honoring the shared centennials of two Tennessee icons: the Opry and the Belcourt Theatre. Includes a screening NASHVILLE REBEL (35mm) immediately following at 8:00pm.
THE DEVIL AT YOUR HEELS
Wed, Nov 19 at 8:00pm

THE DEVIL AT YOUR HEELS

Seasoned stunt driver Ken Carter is determined to achieve legend status — by jumping a car a mile over the St. Lawrence Seaway. An epic journey to the heart of one man’s dangerous obsession, this 1981 doc is an unforgettable immersion into the mind of a dreamer that's often described as a Canadian forerunner to AMERICAN MOVIE.
ANGEL’S EGG
Thu, Nov 20 at 7:00pm (subtitled), 9:00pm (dubbed)

ANGEL’S EGG

Part of Staff Picks and programmed by Nathan, who says “What happens when the future director of GHOST IN THE SHELL and the concept artist behind Final Fantasy make a meditative arthouse film? Well they don’t make any money, but they do create an intricately illustrated, hauntingly beautiful and bizarre cult classic that’s one of the most transcendent film experiences I’ve ever had.
8½ (New 35mm Print)
Fri-Sun, Nov 21-23

8½ (New 35mm Print)

Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8½ turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8½ was “The Beautiful Confusion,” and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act. New 35mm Print.
THE LAST WALTZ
Mon, Nov 24 at 8:00pm

THE LAST WALTZ

A perennial kickoff to the week of Thanksgiving and a Belcourt tradition, Martin Scorsese’s masterful 1978 concert film returns — an all-star affair, seven-camera set-up capturing The Band’s final gig and Bill Graham’s incredibly satisfying prelude to Thanksgiving dinner.
THE BIG LEBOWSKI
Fri, Nov 28 at Midnight

THE BIG LEBOWSKI

Jeff "The Dude" Lebowski doesn't want any drama in his life. But he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity.
BARRY LYNDON
Sat, Nov 29 at 11:45am | Tue, Dec 2 at 7:30pm

BARRY LYNDON

Stanley Kubrick bent the conventions of the historical drama to his own will in this dazzling vision of a pitiless aristocracy. The result is a masterpiece — a sardonic, devastating portrait of a vanishing world whose opulence conceals the moral vacancy at its heart.
BIG TROUBLE IN LITTLE CHINA
Sat, Nov 29 at Midnight

BIG TROUBLE IN LITTLE CHINA

Truck driver Jack Burton struggles to free his buddy's fiancée from the clutches of an evil 2,000-year-old magician living beneath San Francisco's Chinatown in this pulpy cult genre mishmash from master director John Carpenter.
ONE FLEW OVER THE CUCKOO’S NEST
Sun, Nov 30 at 11:45am | Wed, Dec 3 at 8:00pm

ONE FLEW OVER THE CUCKOO’S NEST

Irascible petty criminal H.R. McMurtry pleads insanity to keep himself out of jail. Once institutionalized, he slowly stages mutiny against the oppressive Nurse Ratched. Based on the novel by Ken Kesey.
THIEF
Mon, Dec 1 at 8:00pm | Sat, Dec 6 at 3:25pm

THIEF

A career safecracker dreams of leading a normal life after one last job for the mafia. But they have other plans for him… This recently-restored 4K Director’s Cut of Michael Mann’s iconic Tangerine Dream-scored neo-noir heater breathes new life into a true cult classic of crime cinema.
JACOB’S LADDER
Thu, Dec 4 at 8:00pm | Sun, Dec 7 at 5:00pm

JACOB’S LADDER

A Vietnam War veteran plagued with troubling hallucinations and traumatic flashbacks struggles to maintain his sanity as his terrible past invades his waking life. His girlfriend and chiropractor try to help him find balance, but Jacob only descends further into madness and despair.
YI YI
Sat, Dec 6 at 12:00pm | Sun, Dec 7 at 7:30pm

YI YI

The extraordinary, internationally embraced YI YI, directed by the late Taiwanese master Edward Yang, follows a middle-class family in Taipei over the course of one year, beginning with a wedding and ending with a funeral.
PORTRAIT OF A LADY ON FIRE
Wed, Dec 10 at 8:00pm

PORTRAIT OF A LADY ON FIRE

Part of Staff Picks and programmed by Quinn, who says: “This sapphic modern classic burnt a hole through my brain the first time I saw it in February 2020, and I left the theater forever changed. It’s my rainy day movie, my desert island movie, and a staggering masterpiece from start to finish.”