Something bad happened to Agnes. But life goes on — for everyone around her, at least. When a beloved friend visits on the brink of a major milestone, Agnes starts to realize just how stuck she’s been, and begins to work through how to move forward. In an aching and tender debut feature, writer-director Eva Victor displays a tremendous specificity of voice, depicting graduate student-turned-professor Agnes with sensitivity and emotional clarity both before and after her trauma. Infusing the character’s sardonic wit into its cinematic language of isolation and confusion, SORRY, BABY uses its nonlinear formal structure and five-year duration to capture the complexities and inconsistencies, triumphs and setbacks of Agnes’ attempts to heal — and Victor gives an endearingly vulnerable and fearlessly honest performance as her central character. Naomi Ackie radiates warmth as the sharp-witted roommate whose intimate, frank bond with Agnes allows her the safety to grapple with the enormity of what has happened to her — while Lucas Hedges brings tenderness to his role as Agnes’ befuddled but kind neighbor.
“Bittersweet, brilliant, and heartwarmingly funny, SORRY, BABY is a movie that is sure to find an audience beyond Sundance.” —Kristy Puchko, Mashable “Nothing about SORRY, BABY feels forced or manufactured, to the degree that the performers drift away and you feel like you’re watching people you know and love. And a bit of yourself too.” —Brian Tallerico, RogerEbert.com “Sharply written, smartly structured and well-acted, with a star-making turn from Victor herself, the 93-minute black comedy is not only nimble and consistently funny, but one of the best, most honest renderings of life after sexual assault that I’ve seen.” —Adrian Horton, Guardian
