2023 has gifted us with two major additions to the growing canon of Great Films About Food, each in direct conversation with each other. The great observational documentarian Frederick Wiseman’s 4-hour immersion into the operation and output of a three-star Michelin restaurant in rural France, MENUS-PLAISIR LES TROISGROS (Dec 31-Jan 1), is an extension of the pioneering gourmet innovations on display in Trân Anh Hùng’s sumptuous period drama THE TASTE OF THINGS (opening Feb 14). Folded between these bookends is a five-course feast from the Greatest Films About Food canon. Set yourselves some dinner plans and join us on Sunday nights.
Visit
In Theatre
Today
Thursday, Jul 10
- THE LIFE OF CHUCK
- GOLDFINGER
- THE PHOENICIAN SCHEME
- 40 ACRES
-
THE FAST AND THE FURIOUS
* Introduction from programmer Zack Hall
- TATAMI
This week
Friday, Jul 11
- KILL THE JOCKEY
- MARLEE MATLIN: NOT ALONE ANYMORE
-
TERMINATOR 2: JUDGMENT DAY
* Introduction from Belcourt's Coley Hinson
- THE LIFE OF CHUCK
- THE PHOENICIAN SCHEME
- HEAT
-
LADY TERMINATOR
* Introduction from film critic Jason Shawhan
Saturday, Jul 12
-
SPIDER-MAN: INTO THE SPIDER-VERSE
* Introduction from Belcourt's Andre Churchwell
-
MARLEE MATLIN: NOT ALONE ANYMORE
* Post-screening discussion with Bridges for the Deaf and Hard of Hearing
- THE LIFE OF CHUCK
- MAD MAX: FURY ROAD
- THE PHOENICIAN SCHEME
- KILL THE JOCKEY
- EXISTO
-
REVENGE
* Introduction from programmer Zack Hall
Sunday, Jul 13
-
TOMBSTONE
* Introduction from musician and Belcourt staff member Jessica Breanne
- KILL THE JOCKEY
- THE LIFE OF CHUCK
- THE PHOENICIAN SCHEME
- HEAT
- MARLEE MATLIN: NOT ALONE ANYMORE
Monday, Jul 14
- MAD MAX: FURY ROAD
- THE PHOENICIAN SCHEME
- KILL THE JOCKEY
-
TERMINATOR 2: JUDGMENT DAY
* Introduction from Belcourt's Tom Eisenbraun
- THE LIFE OF CHUCK
- MARLEE MATLIN: NOT ALONE ANYMORE
Tuesday, Jul 15
Wednesday, Jul 16
- THE PHOENICIAN SCHEME
- TOMBSTONE
- MARLEE MATLIN: NOT ALONE ANYMORE
- THE LIFE OF CHUCK
- KILL THE JOCKEY
-
THE PEOPLE’S JOKER
* Post-screening discussion with director Vera Drew