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New Releases

THE DRAMA (35mm)
Now Playing

THE DRAMA (35mm)

A happily engaged couple (Zendaya, Robert Pattinson) is put to the test when an unexpected turn sends their wedding week off the rails. Co-starring Mamoudou Athie, Alana Haim, Hailey Gates and Zoë Winters. Directed by Kristoffer Borgli (DREAM SCENARIO, SICK OF MYSELF). Exclusive 35mm Engagement
THE DRAMA (DCP)
Thu, Apr 9 | Sun, Apr 12 | Thu, Apr 16

THE DRAMA (DCP)

A happily engaged couple (Zendaya, Robert Pattinson) is put to the test when an unexpected turn sends their wedding week off the rails. Co-starring Mamoudou Athie, Alana Haim, Hailey Gates, and Zoë Winters. Directed by Kristoffer Borgli (DREAM SCENARIO, SICK OF MYSELF).
EXIT 8
Now Playing

EXIT 8

Genki Kawamura’s Dante-inspired spin on Kotake Create’s cult game traps Arashi star Kazunari Ninomiya in a looping, sterile subway where one mistake resets everything. A purgatorial thriller born from on-set collaboration, EXIT 8 fuses gameplay logic with razor-sharp, emotionally charged cinema.
GHOST IN THE MACHINE
Fri-Sun, Apr 10-12 | Wed, Apr 15

GHOST IN THE MACHINE

Told over eight chapters, this visceral investigative essay documentary from director Valerie Veatch is an urgent excavation of the philosophical, cultural and political forces driving the global A.I. boom.
LORNE
Opens Thu, Apr 16

LORNE

From Morgan Neville, Academy Award-winning filmmaker of 20 FEET FROM STARDOM and WON’T YOU BE MY NEIGHBOR, comes LORNE — an unprecedented, behind-the-scenes glimpse of Lorne Michaels, the man who built Saturday Night Live, the inimitable empire of comedy, shaping television and culture for generations.
TWO PROSECUTORS
Opens Fri, Apr 17

TWO PROSECUTORS

Set during the height of Stalin’s Great Terror, the great Ukrainian director Sergei Loznitsa’s pitch-black absurdist tale concerns an idealistic government-appointed prosecutor who sets out to expose the mistreatment of a dissident Bolshevik writer who has been jailed and tortured without evidence of wrongdoing. Loznitsa constructs his story with a patient yet unmistakable sense of mounting dread, focusing on the devastating minutiae that allows fascism to function in our world.
PALESTINE ‘36
Opens Fri, Apr 24

PALESTINE ‘36

Palestine, 1936. As villages across Mandatory Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. Director Annemarie Jacir moves her story forward at pace, balancing plot lines, tones and character motivations against shaping forces of economics, politics and identity.
THE CHRISTOPHERS
Opens Fri, Apr 24

THE CHRISTOPHERS

A freelance art restoration specialist receives a tantalizing proposition from the heirs of an ailing painter: apprehend and complete a series of long-abandoned paintings from their father’s London home, and receive a third of the profits from the sale of the paintings following his imminent death. Michaela Coel and Ian McKellen make a brilliant pairing in Steven Soderbergh’s incisively witty chamber comedy about art, commerce and avarice.
DEAD LOVER with opening set from U.S. Girls
Mon, Apr 27 at 8:00pm

DEAD LOVER with opening set from U.S. Girls

Grace Glowicki writes, directs and gives a barkingly daring lead performance in this bizarre, performance art-coded, gender-bending lo-fi Frankenstein comedy about a lonely gravedigger who will do anything to build the perfect man. Preceded by a live opening set from U.S. Girls, who scored the film.
ERUPCJA
Opens Fri, May 1

ERUPCJA

While on vacation in Poland, a British tourist (Charli xcx) breaks away from her doting boyfriend (Will Madden), reuniting instead with an old friend (Lena Góra) in this idiosyncratic postcard romance of serendipity and synchronicity.
YES
Opens Fri, May 1

YES

In the days following October 7, jazz musician Y. and his wife surrender themselves and their art to Israel's social, political and military elite and become entrusted with a mission — to compose a new national anthem. Fierce, maximalist and intentionally confrontational, this incendiary work from Israeli director Nadav Lapid (SYNONYMS) is a blistering exploration of nationalism, art and identity.