New Releases

A 19-year-old Anthony Bourdain travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life. Starring Dominic Sessa (THE HOLDOVERS) as Tony. Directed by Matt Johnson (NIRVANNA THE BAND THE SHOW THE MOVIE).

In Oregon during the Great Depression, a battle-scarred veteran (Ethan Hawke) is torn from his daughter and sent to a brutal work camp where the Warden (Russell Crowe) tempts him with early release if he smuggles gold through deadly wilderness. A more-than-worthy addition to the WAGES OF FEAR canon of precious cargo and precarious conditions, THE WEIGHT is a kickass throwback to the great outdoor adventure films of the ‘70s and ‘80s.

Big Ant is just out of prison and struggling to reconnect with his wife and adolescent son, Lil Ant, a sensitive artist who begins to see surreal, almost spectral visions of boys drifting around his neighborhood. A blend of social and magical realism with allusions to Greek mythology, the film has its head in the clouds without losing sight of the street-level conditions that shape its characters’ lives.

Haru and Luis love competing in Tokyo’s ballroom dance scene, but after tragedy strikes, Haru withdraws into isolation. When friends coax her back to the studio, she develops an infatuation with the new instructor — and she must face what comes next as sparks fly. Grief, romance, Fosse-like dance numbers and little magical realism collide in a true crowd-pleaser from this year’s Sundance Film Festival.

A retired criminal profiler (William Petersen) reluctantly returns to the FBI to help track down a serial killer of families and is forced to consult an expert — the imprisoned Dr. Hannibal Lecktor (Brian Cox in a subtly chilling performance). This new 4K Final Cut, overseen by Mann, enhances the film’s depth, visual clarity and sound, offering audiences the ultimate immersive version.

At a posh country club outside Manila, 17-year-old Isabel from the rural north works the immaculate grounds, sampling its luxuries as the members engage in a complex dance with the staff. The deeper she journeys into its most exclusive corners, the closer she gets to the violent truths of the club, her native Philippines, and her own past.

After attending a workshop on how to write and sell a Hallmark movie, filmmaker John Wilson (How To with John Wilson) tries to use the same formula to sell a documentary about concrete. But his foundation soon begins to crumble — literally and figuratively — as he struggles to balance artistic freedom with the realities of the modern film industry.

Pioneering queer avant-garde filmmaker Barbara Hammer (1939–2019) broke barriers by centering frank lesbian sexuality and pleasure in an expansive body of beautiful, poetic, personal work. Constructed largely from Hammer’s own archive, director Brydie O’Connor crafts a loving portrait of a force of nature while accompanying her through her final years and creative processes.

The Butthole Surfers exploded onto the underground music scene in the 1980s, amassing a growing audience as they built one of the most mind-boggling surrealist rock and roll spectacles ever devised. They were radically inclusive art-punk pioneers on an endless tour, blowing minds and spreading their art to a cult following.

After the success of POINT BLANK and DELIVERANCE, Warner Brothers offered John Boorman the opportunity of a lifetime — the chance to direct a sequel to their smash hit, THE EXORCIST. The result was one of the biggest disasters in movie history. Part of Doctober and Shocktober

When a respected academic gets sidelined by the story of the Chronovisor — a device capable of transmitting visuals from any point in history to a TV screen — she unearths an elaborate web of conjecture and conspiracy. Dense with real primary sources, scored to Holst, and shot on 16mm, this utterly unique debut feature performs a remarkable sleight of hand by transforming the momentum of private study into a genuinely kinetic pursuit.

Martin Short, Eugene Levy, Gilda Radner, Victor Garber, Paul Shaffer and other entertainment icons all got their start in the same 1972 Toronto production. Nick Davis’ high-spirited documentary reveals how a humble Toronto run of the hippie musical Godspell became an historic incubator for modern comedy.

Shot at night on the rooftops of Tel Aviv, NAZA reveals the systems behind Israel’s bombing of Gaza and its mass killing of Palestinian civilians — and is titled for a military acronym used by Israeli intelligence to indicate the number of civilians that it expects will be killed in an airstrike. Directed by Yuval Abraham and Rachel Szor, two of the co-directors of the Oscar-winning documentary NO OTHER LAND.

Sacred Harp singing has survived over 200 years tucked away from sight in the rural deep South. To the casual observer, it is foreign and unintelligible, but to the singers, it is the key that unlocks mysteries — songs of both beauty and sorrow, of life and of death, songs that cause feet to stomp and tears to flow, often at the same time. AWAKE, MY SOUL has been re-edited and remastered for its 20th anniversary.

Long before it became associated with flesh-eating ghouls, the zombie was a living metaphor for slavery — not a monster, but the ultimate victim of colonial power, a symbol of stolen agency was recast as an object of fear. Director Maya Annik Bedward traces the evolution of the zombie from colonial Haiti to contemporary Hollywood, exposing how Black spiritual traditions were distorted and erased. Part of Doctober and Shocktober

An enduring masterpiece of cinema starring Oliver Reed and Vanessa Redgrave, Ken Russell’s THE DEVILS is a prescient epic of obsession and corruption — and a defining work of art from seminal filmmaker Ken Russell. Ken Russell’s THE DEVILS is the uncut and unfiltered theatrical experience that Russell always envisioned — and the first time the film will be presented restored. Exclusive Engagement – New 35mm Print. Part of Shocktober and Ken Russell x4

Featuring a career-making performance from Rosalind Eleazar and supporting turns from Daniel Kaluuya, Adam Driver and Anna Kendrick, Chris Rock’s latest as writer-director brilliantly satirizes the bigotry and hustle at the heart of Hollywood.

Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim.

Winner of the prestigious Palme d’Or at this year’s Cannes Film Festival, the latest from writer-director Cristian Mungiu is a gripping high-stakes courtroom drama driven by a profound moral dilemma. An immigrant Romanian family living in Norway is subject to an investigation and faces the scrutiny of the local judicial system. Starring Sebastian Stan and Renate Reinsve.

Boyd Holbrook, Hiam Abbass and Kenneth Branagh star in writer-director Reed Van Dyk’s searing story of trauma and forgiveness following a horrifying event during the Iraq War. Based on Dexter Filkins’ 2012 New Yorker essay of the same name, ATONEMENT asks difficult questions about reconciliation and trauma while acknowledging that everyone seeks out different means of moving on.

Professional ski mountaineers Jim Morrison and Hilaree Nelson seek to ski down the north face of Mount Everest, a feat never achieved, as the Oscar-winning filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin (FREE SOLO) follow their journey.

In the summer of 1949, at the height of the Cold War, Nobel Prize-winning writer Thomas Mann (Hanns Zischler) and his daughter Erika (Sandra Hüller) embark on a challenging and emotional road trip across a Germany in ruin — returning home after 16 years of exile in the U.S. As with prior films IDA and COLD WAR, director Paweł Pawlikowski constructs memorable setpieces as little cathedrals in luminous black-and-white.

A laid-off worker and his wife cross paths with a documentary filmmaker and her spouse in this eagerly anticipated new film from Lee Chang-dong (BURNING, POETRY), currently being hailed as his masterpiece on this year’s fall festival circuit. In this tale of yearning, envy and grief, the divide between the couples becomes increasingly tangled as the tensions mount.

Los Javis’ ambitious and captivating homage to Federico García Lorca sees the lives of three men intertwined in love and loss across eras. Combined with stunning cinematography and a grand score, the seamlessly converging storylines make for a sweeping and operatic romantic drama that delicately balances collective memory with deeply emotional personal histories.

Two CIA agents (John Malkovich and Sam Rockwell) are sent on a mission to Easter Island, where one faces an existential crisis over his past actions, in the latest dark comedy from Martin McDonagh (THE BANSHEES OF INISHERIN).

Conceived in 1972 by legendary filmmaker William Greaves and completed 50 years later by his son David, ONCE UPON A TIME IN HARLEM is an essential work of living archive, documenting a lively gathering of luminaries from the Harlem Renaissance during a cocktail party at Duke Ellington’s home.

In his exuberant debut feature, writer-director Jordan Firstman stars as a carousing New York City club promoter whose lifestyle is upended by the unexpected responsibility of raising a 10-year-old son he never knew he had. Exclusive 35mm Engagement.

Cameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie. Directed by Paul Thomas Anderson. Screening in 35mm