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Wed, Oct 21 at 2:20pm, 9:50pm

HENRY: PORTRAIT OF A SERIAL KILLER

  • Dir. John McNaughton
  • USA
  • 1986
  • 78 min.
  • R
  • New 4K DCP Restoration
  • Assistive Listening
  • Hearing Loop
HENRY: PORTRAIT OF A SERIAL KILLER

Part of Shocktober

Henry (Michael Rooker) is a psychopathic drifter who has coldly murdered a number of people for no particular reason and without any remorse. Leaving scores of bodies in his wake, Henry makes his way to Chicago, where his murderous streak continues and he settles into the rundown apartment of his drug-dealing former prison friend Otis (Tom Towles). Also moving into the space is Otis’ younger sister Becky (Tracy Arnold), who is fleeing from her abusive husband. Henry soon reveals his troubled childhood background to Becky, which resulted in Henry’s murder of his mother, the crime that landed him in prison. Unbeknownst to Becky, Henry continues to commit a series of random killings along with Otis, who has quickly developed a taste for murder.

In celebration of its 30th anniversary, HENRY: PORTRAIT OF A SERIAL KILLER returns with a thrilling, cinematic presentation that cements its reputation as one of the most harrowing, original American films of all time. Along with seminal films by fellow auteurs Pedro Almodóvar and Peter Greenaway, McNaughton’s horrifying and intense film helped lead to the creation of the NC-17 rating. Viewers beware…

MPI Media Group proudly presents HENRY: PORTRAIT OF A SERIAL KILLER in a brand new 4K scan and restoration from the 16mm original camera negatives, and featuring a new 5.1 audio mix from the stereo 35mm mag reels, all approved by director John McNaughton.

“Director John McNaughton…shows few of Henry's dozen or so crimes. Instead he reveals the victims, at the scenes of their deaths, in slow zoom shots accompanied by elegiac music. He is a coroner with a touch of the poet.” —Richard Corliss, TIME 

“McNaughton's rough, non-judgemental direction gives the film a stylishly chilling documentary feel, while the killer's use of a camcorder asks some challengingly uncomfortable questions about voyeurism and the nature of screen violence.” —John Ferguson, Radio Times

The Belcourt Theatre does not provide advisories about subject matter or potential triggering content, as sensitivities vary from person to person. Beyond the synopses, trailers and review links on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media, IMDb and DoesTheDogDie.com as well as through general internet searches.

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