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Tue, Feb 28 at 3:30pm, 8:00pm

THE WATERMELON WOMAN

  • Dir. Cheryl Dunye
  • USA
  • 1996
  • 90 min.
  • NR
  • DCP
  • Assistive Listening
  • Hearing Loop
THE WATERMELON WOMAN

Part of Beloved: A Spotlight Series on Black Female Directors

Set in Philadelphia, THE WATERMELON WOMAN is the story of Cheryl (Cheryl Dunye), a 20-something Black lesbian struggling to make a documentary about Fae Richards, a beautiful and elusive 1930s Black film actress popularly known as “The Watermelon Woman.” While uncovering the meaning of Fae Richards’s life, Cheryl experiences a total upheaval in her own. Her love affair with Diana (Guinevere Turner, GO FISH), a beautiful white woman, and her interactions with the gay and black communities, are subject to the comic yet biting criticism of her best friend Tamara (Valerie Walker). Meanwhile, each answer Cheryl discovers about the Watermelon Woman evokes a flurry of new questions about herself and her future. (Synopsis from The Metrograph)

Digital restoration made possible by 13th Gen, Outfest Legacy Project, UCLA Film & Television Archive, Toronto International Film Festival, and First Run Features.

“Funny and smart, full of biting humor and astute observations about identity and history, Cheryl Dunye's audacious, joyous debut feature captures the process of falling hopelessly in love with the movies.” —Serena Donadoni, Village Voice

“A film of such multitudinous interests and storytelling pursuits that its unfolding replicates the ecstasy of newfound romance….It’s the combination of past and present — a cinematic stabilization of historical necessity and contemporary lesbian romance — that gives the film its singular identity.” —Clayton Dillard, Slate

“Both stimulating and funny…. A testament to the talent and open-heartedness of Ms. Dunye, who wrote and directed the movie and is its star…. It lets you find your own way to its central message about cultural history and the invisibility of those shunted to the margins.” —Stephen Holden, New York Times

The Belcourt Theatre does not provide advisories about subject matter or potential triggering content, as sensitivities vary from person to person.

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