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Movies this weekend (Fri-Sun, Dec 6-8)...🍿 💙 🎞️
All tickets 🎟️ > bit.ly/Belcourt-Films
(*Note that ANORA and CONCLAVE end this Sun, Dec 8 — and LUTHER: NEVER TOO MUCH ends this coming Thu, Dec 12.)
Fri, Dec 6:
• CONCLAVE 1:05pm (ends Sun)
• FLOW 2:40pm 6:20pm
• A REAL PAIN 2:50pm 7:40pm
• QUEER 3:35pm 8:20pm
• ANORA 4:50pm (ends Sun)
• LUTHER: NEVER TOO MUCH 9:40pm (ends Thu, Dec 12)
Sat, Dec 7:
* CONCLAVE 11:10am (ends Sun)
* QUEER 11:20am 2:05pm 5:35pm 8:20pm
* THE WAGES OF FEAR 12:00pm #RestorationRoundup
* FLOW 1:40pm* 5:15pm 7:10pm 9:05pm (*w/an intro from film critic Ken Arnold)
* LUTHER: NEVER TOO MUCH 3:05pm 9:40pm (ends Thu, Dec 12)
* A REAL PAIN 3:35pm 7:40pm
* ANORA 4:50pm (ends Sun)
Sun, Dec 8
• CONCLAVE 11:10am (last screening)
• LUTHER: NEVER TOO MUCH 11:15am (ends Thu, Dec 12)
• QUEER 11:20am 2:05pm 5:35pm 8:20pm
• THE SUGARLAND EXPRESS 1:30pm 8:00pm #RestorationRoundup
• FLOW 1:40pm 4:00pm 6:00pm 9:40pm
• A REAL PAIN 3:35pm 7:40pm
• ANORA 4:50pm (last screening)
Opening Thu, Dec 5, QUEER from Oscar-nominated filmmaker Luca Guadagnino’s (CALL ME BY YOUR NAME) and starring Daniel Craig. (At Thu’s 9pm screening, senior film critic for the @nashvillesceen Jason Shawhan introduces.)
It takes risk to translate the work of William S. Burroughs for the screen, but Guadagnino’s spin on the Beat legend’s autobiographical novel matches its source material in vulnerability and taboo-smashing adventurousness. About Craig’s starring role, @slashfilm writes: “Downright sensational in what proves to be a transformative role, initially playing on our expectations of his world-famous James Bond performance before gleefully tearing those assumptions apart over the course of its 135-minute runtime.”
@queer_movie @A24 @lucaguadagninoarchive @drewstarkey @jasonnschwartzman #queermovie #lucaguadagnino #danielcraig #drewstarkey #jasonnschwartzman #lesleymanville #williamsburroughs #a24
Opening this Thu, Dec 5, FLOW is a feast for the senses and a treasure for the heart, steeped in the soaring possibilities of visual storytelling. From the boundless imagination of the award-winning Gints Zilbalodis (AWAY) comes a thrilling animated spectacle as well as a profound meditation on the fragility of the environment and the spirit of friendship and community. (Tickets at link in bio, or bit.ly/Belcourt-FLOW.)
@indiewire called FLOW: “One of the most moving animated films in recent memory, and, beyond that, groundbreaking too…. It’s not just a supreme example of a movie kids will love that adults will too. With its wordlessness, this is a film that could play in any country of the world, its capacity to reach literally everyone limitless. And yet it’s radical while being as accessible as any animated film could ever be.”
Movies this weekend (Fri-Sun, Nov 29-Dec 1)...🍿 🎞️ 💙
Tickets 🎟️ > bit.ly/Belcourt-Films
Fri, Nov 29:
• A REAL PAIN 12:40pm 2:40pm 4:35pm 7:10pm 9:25pm
• BIRD 2:05pm (ends Mon, Dec 2)
• PULP FICTION 2:20pm 5:40pm 9:00pm (new #35mm print)
• CONCLAVE 4:40pm
• ANORA 6:35pm 9:10pm (with pre-recorded introduction from director Sean Baker)
• EXCALIBUR #BelcourtMidnights Pre-show at 11:45pm (with introduction from programmer Zack Hall)
Sat, Nov 30:
• LUTHER: NEVER TOO MUCH 11:55am
• GILDA 12:00pm 4:40pm (new 4K restoration)
• A REAL PAIN 12:40pm 2:40pm 4:35pm 7:00pm 9:25pm
• CONCLAVE 2:05pm
• PULP FICTION 2:20pm 5:40pm* (*with introduction from Belcourt staff member Coley Hinson) 9:00pm
• ANORA 6:35pm 9:10pm (with pre-recorded introduction from d)irector Sean Baker)
• THE PRINCESS DIARIES #BelcourtMidnights Pre-show at 11:45pm (with introduction from Belcourt staff member Erin Thompson
Sun, Dec 1:
• CONCLAVE 12:00pm
• A REAL PAIN 12:05pm 2:40pm 4:35pm 9:25pm
• THE THIRD MAN 12:10pm 5:00pm
• BIRD 2:05pm (ends Mon, Dec 2)
• PULP FICTION (New 35mm Print) 2:20pm 5:40pm 9:00pm (new #35mm print)
• ANORA 6:35pm 9:15pm (pre-recorded introduction from director Sean Baker
• LUTHER: NEVER TOO MUCH 7:05pm
This Thanksgiving weekend, Quentin Tarantino’s PULP FICTION in a new 35mm print! 🎞️ — this Fri-Sun, Nov 29-Dec 1 at 2:20pm, 5:40pm, 9pm + next Wed, Dec 4 at 4:40pm, 8pm. (🎟 Tickets at link in bio, or at bit.ly/PULP-FICTION-35mm)
Robert Eggers’ NOSFERATU opens Dec 25 at the Belcourt — and tickets now on sale for the first week’s screenings (see link in bio, bit.ly/NOSFERATU-35mm). AND the Belcourt’s one of only a small handful of theaters nationwide where you can see NOSFERATU in #35mm!
@nosferatuthefilm @focusfeatures @billskarsgard_ @emmalouisecorrine @aarontaylorjohnson nicholashoult @willemdafoesact @lilyrose_depp @ralph.ineson @stacythunes @p.a.maynard
“This film should be played loud!” Now a perennial kickoff to the week of Thanksgiving (and a Belcourt tradition), we present Martin Scorsese’s masterful 1978 concert film — an all-star affair, seven-camera set-up capturing The Band’s final gig and Bill Graham’s incredibly satisfying prelude to Thanksgiving dinner. Featuring a rotating till of special guests including Neil Young, Bob Dylan, Joni Mitchell, Muddy Waters and many, many others.
THE LAST WALTZ this Mon, Nov 25 at 2:50pm, 8pm + Thu, Nov 28 (Thanksgiving Day) at 8pm. (Tickets at link in bio, bit.ly/LAST-WALTZ-2024)
“Beautifully threads the line between the real and the surreal… There is so much beauty in BIRD, both within the relationships unraveling onscreen and on the screen itself.” —@rafiews @ThePlaylistNews
Opening this Fri, Nov 22 — BIRD, the latest film from renowned English filmmaker Andrea Arnold (FISH TANK, AMERICAN HONEY) — is a compelling, ultimately joyous story that tackles themes of identity, sexism, loneliness and class struggle. The director’s empathy and skill at showing us beauty despite dire circumstances elevates BIRD beyond its roots. Add to that a crystalline thread of magic realism — and the result is an ode to the wondrous transition from childhood to adolescence. (Tickets at link in bio, or bit.ly/Belcourt-BIRD)
@keoghanusa @nykiyaadams @ffffranz @mubiusa #AndreaArnold #BarryKeoghan #NykiyaAdams #FranzRogowski #mubiusa #cornerstonefilm
“It is triumphant, jarring and pulls its audience into an intimate storyline that demands to be witnessed…. The 1996 newly restored film, feels fresh and revitalizing as it molds generational victory through its thoughtful storyline and immaculate casting.” —Niani Scott, rogerebert.com
Bridgett M. Davis’s NAKED ACTS — this Thu, Nov 21 at 8pm + Sun, Nov 24 at 5:10pm. Without finding a receptive distributor when she made the film in the ‘90s, Davis decided to take things into her own hands — distributing and promoting it herself. NAKED ACTS enjoyed relative success in the alternative festival and theatrical circuit, but remains one of the criminally under-seen “most influential Black films.”
NAKED ACTS has been digitally restored and remastered by Lightbox Film Center in collaboration with Milestone Films. This 2023 restoration is from the 16mm a/b rolls preserved at the Indiana University Black Film Center & Archive. Restoration and release with creative consultation by Maya Cade, creator of the Black Film Archive.
@bridgett_d @milestone_films @lightboxfilmcenter @black_film_center_archive @mayasymonecade
This Mon, Nov 18 at 8pm, THE WORLD ACCORDING TO ALLEE WILLIS — described as “the most interesting woman you’ve never heard of” (@washingtonpost). Tickets at link in bio, or bit.ly/ALLEE-WILLIS. (Part of #MusicCityMondays.)
One look at award-winning songwriter and artist Allee Willis and you see someone unafraid to be themselves. Best known for writing the “Friends” theme song, the Earth Wind & Fire mega-hit “September” and the musical “The Color Purple,” Willis began filming her life as a kid in 1950s Detroit and never stopped. Dressed in a cacophony of prints and colors, with her signature asymmetrical haircut and famed parties at her real-life Pee-Wee’s Playhouse, Allee didn’t waste any opportunity to tell you what she was about. But privately, Allee struggled with not fitting established gender and sexual norms. She buried herself in her work, until true love manifested her ultimate masterpiece — self-acceptance.
“[Sergei] Parajanov has a genuine gift. He has the kind of heedless energy you glimpse in some of the early work of Martin Scorsese, pounding camerawork so filled with itself it can hardly contain the story.” — #RogerEbert @chicagosuntimes
SHADOWS OF FORGOTTEN ANCESTORS this Sun, Nov 17 at 12:40pm + Wed, Nov 20 at 6pm — widely considered the most important film in the history of Ukranian cinema, Parajanov’s masterwork boldly combines folkloric pageantry, fairy tale mysticism and frenetic, hallucinatory cinematography — capturing the spiritual majesty of the past by creatively forging the medium’s future. (Part of #RestorationRoundup with tickets at link in bio, or bit.ly/SHADOWS-OF-FORGOTTEN-ANCESTORS)
“A rare work of art that thrills the senses and the mind…. Worthy of that overused superlative, masterpiece!” re
@nytimes.
Jean-Pierre Melville’s 1969 ARMY OF SHADOWS — recognized as the director’s finest — in a new 4K restoration this Sat, Nov 16 at 12pm + Tue, Nov 19 at 5:15pm. Part of our ongoing #RestorationRoundup series. Tickets at link in bio, or bit.ly/ARMY-OF-SHADOWS.
“A frequently laugh-out-loud funny odd couple road trip movie whose emotional wallop sneaks up and floors you…. With A REAL PAIN, [writer-director Jesse Eisenberg] demonstrates impeccable judgment and great skill at balancing sardonic wit with piercing solemnity in a movie full of feeling, in which no emotion is unearned.” —@hollywoodreporter
Opening this Thu, Nov 14, writer-director Jesse Eisenberg’s A REAL PAIN — with Eisenberg and Kieran Culkin as mismatched cousins who reunite for a tour through Poland to honor their beloved grandmother. (At Thu’s 7pm screening, an introduction from @nashville_jewish_film_festival) Tickets at link in bio, or bit.ly/A-REAL-PAIN.
“A striking portrait of a singular musician…. Even for those familiar with the ‘Never Too Much’ crooner, [director Dawn] Porter’s project is essential viewing.” —#LoviaGyarkye @hollywoodreporter
Dawn Porter’s LUTHER: NEVER TOO MUCH this Mon, Nov 11 at 4pm + 8pm* (*with an introduction from The National Museum of African American Music) — and this coming Fri-Sun, Nov 15-17. (Tickets at link in bio, or bit.ly/LUTHER-NEVER-TOO-MUCH)
@dawnporter @luthervandross @giant_pictures @thenmaam #luthervandross
"Steve McQueen`s BLITZ is a triumph." —Emma Kiely, Collider
A boy’s journey. A mother’s love. Miles of burning city between them. Saoirse Ronan stars in BLITZ, from Academy Award® Winner Steve McQueen (12 YEARS A SLAVE). Now at the Belcourt. Get tickets now at link in bio, or bit.ly/Belcourt-BLITZ
@AppleFilms #BlitzFilm @saoirseronanofficiall @elliottheffernan @harrisdickinson @paulwellerhq @stephengraham1973 @benjaminclementine @kathyburkeallwoman @erin.kellyman @leigh.gill
Movies this weekend (Fri-Sun, Nov 8-10)...🍿 💙 🎬
All tickets 🎟️ > bit.ly/Belcourt-Films
Fri, Nov 8:
• WE LIVE IN TIME 1:50pm
• CONCLAVE 2:15pm 4:45pm 7:15pm 9:45pm
• BLITZ 2:30pm 7pm
• ANORA 4:10pm 7:10pm 10pm #35mm (w/a pre-recorded intro from director Sean Baker)
• MEMOIR OF A SNAIL 5pm
• THE TIME MASTERS 9:30pm #RestorationRoundup
Sat, Nov 9:
• MEMOIR OF A SNAIL 11:20am 5pm
• CONCLAVE 11:40am 2:15pm 4:45pm 7:15pm 9:45pm
• WE LIVE IN TIME 12:10pm 9:30pm
• ANORA 1:20pm 4:10pm 7:10pm 10pm #35mm (w/a pre-recorded intro from director Sean Baker)
• BLITZ 2:30pm 7pm
Sun, Nov 10:
• THE TIME MASTERS 11:30am* (*w/intro from animator and Belcourt staff member Nathan Morrow) #RestorationRoundup
• CONCLAVE 11:40am 2:15pm 4:45pm 7:15pm 9:45pm
• WE LIVE IN TIME 12:10pm 9:30pm
• ANORA 1:20pm 4:10pm 7:10pm #35mm (w/a pre-recorded intro from director Sean Baker)
• BLITZ 2:30pm 7pm
• MEMOIR OF A SNAIL 5pm 9:55pm
This Fri, Nov 8 at 9:30pm + Sun, Nov 10* at 11:30am, THE TIME MASTERS — 1982’s visually fantastic foray into existentialist space adventure, directed by visionary science-fiction animator René Laloux (FANTASTIC PLANET) and designed by the legendary Jean Giraud (a.k.a. Mœbius) — and restored in 4K in 2023. (*At Sun’s screening, animator and Belcourt staff member Nathan Morrow @spaceman_bones introduces.)
Tickets at link in bio, or bit.ly/TIME-MASTERS. Part of the Belcourt’s #RestorationRoundup.
Sean Baker’s Palme d’Or winner ANORA — starring Mikey Madison — continues its exclusive 35mm engagement at the Belcourt thought this Sun, Nov 10. After Nov 10, its run continues in digital (DCP). All screenings include a pre-recorded introduction from Baker, especially made for Belcourt audiences. Get tickets via the link in bio, or bit.ly/Belcourt-ANORA.
= = = = = = = = = =
@anorafilm @bakerfilms @mikeymadisonsfeed @mark.eydel @neonrated @spicyivyboy @vachetovmasyan @karrenkaragulian @ekamasova @lindsey.bug #anora #seanbaker #mikeymadison #markeidelstein #neonrated
“...A towering achievement. This touching animated film serves as a reminder that [writer-director Adam] Elliot is a humanist who clearly sculpts his ‘clayographies’ (as he dubs his films) from the very essence of life itself.” —Manuel Betancourt @bmanuel @latimes
Opening this Fri, Nov 8, MEMOIR OF A SNAIL — from Academy Award-winning® animation writer and director Adam Elliot (MARY AND MAX), a poignant, heartfelt, hilarious chronicle of the life of an outsider finding her confidence and silver linings amongst the clutter of everyday life. (Link in bio, or bit.ly/MEMOIR-OF-A-SNAIL)
#memoirofasnail @ifcfilms @adam_elliott_clay #adamelliott
Repost from @belcourtmidnights
•
Now that the madness that is October has come to a close, we here at Belcourt Midnights just wanted to take a second to send a huge thanks to our incredible staff. Between 12HoT and Rocky, October is chock full of weird hours, big crowds (seen here), and tons of clean up. We’re so lucky to have an amazing crew of folks who shoulder that insane schedule, sweep up what has to be a metric ton of popcorn, and keep serving you with a smile to ensure you have a great time at the movies. The quality, enthusiasm, dedication, and knowledge of our front of house crew is the best in the biz. They even give excellent film intros from time to time!
It also requires a lot of from our expert crew of projectionists who roll with whatever crazy ideas we throw out, and they always deliver such a beautiful and seamless viewing experience, even when it’s 2am and they’ve worked 4 late nights in a row. A lot of curveballs get thrown their way, from tech issues to “hey can you run this trailer I forgot to send to you until the last minute?” (yeah, my bad), and they make sure that you all are none the wiser.
So, if you’ve read all this and consistently have a good time thanks to these wonderful folks, the next time you’re in, please consider tossing a little extra in the tip bucket to show how much you appreciate them. They’re entirely the reason we’re able to do what we do. See ya at the movies!
Movies this weekend (Fri-Sun, Dec 6-8)...🍿 💙 🎞️
All tickets 🎟️ > bit.ly/Belcourt-Films
(*Note that ANORA and CONCLAVE end this Sun, Dec 8 — and LUTHER: NEVER TOO MUCH ends this coming Thu, Dec 12.)
Fri, Dec 6:
• CONCLAVE 1:05pm (ends Sun)
• FLOW 2:40pm 6:20pm
• A REAL PAIN 2:50pm 7:40pm
• QUEER 3:35pm 8:20pm
• ANORA 4:50pm (ends Sun)
• LUTHER: NEVER TOO MUCH 9:40pm (ends Thu, Dec 12)
Sat, Dec 7:
* CONCLAVE 11:10am (ends Sun)
* QUEER 11:20am 2:05pm 5:35pm 8:20pm
* THE WAGES OF FEAR 12:00pm #RestorationRoundup
* FLOW 1:40pm* 5:15pm 7:10pm 9:05pm (*w/an intro from film critic Ken Arnold)
* LUTHER: NEVER TOO MUCH 3:05pm 9:40pm (ends Thu, Dec 12)
* A REAL PAIN 3:35pm 7:40pm
* ANORA 4:50pm (ends Sun)
Sun, Dec 8
• CONCLAVE 11:10am (last screening)
• LUTHER: NEVER TOO MUCH 11:15am (ends Thu, Dec 12)
• QUEER 11:20am 2:05pm 5:35pm 8:20pm
• THE SUGARLAND EXPRESS 1:30pm 8:00pm #RestorationRoundup
• FLOW 1:40pm 4:00pm 6:00pm 9:40pm
• A REAL PAIN 3:35pm 7:40pm
• ANORA 4:50pm (last screening)
“Has no superior in the field of action-suspense.” —David Thomson, The Guardian
This Sat, Dec 7 at 12pm + Tue, Dec 10 at 5:15pm, 1963’s THE WAGES OF FEAR in a new 4K restoration — one of the greatest thrillers ever committed to celluloid and a white-knuckle ride from France’s legendary master of suspense, Henri-Georges Clouzot > bit.ly/WAGES-OF-FEAR
“How lucky are we to be around at the same time that Luca Guadagnino is doing his thing? The Italian director has delivered some of the boldest and most uncompromising works of the last decade…. Star Daniel Craig is downright sensational in what proves to be a transformative role, initially playing on our expectations of his world-famous James Bond performance before gleefully tearing those assumptions apart.” —Jeremy Mathai, /Film
Luca Guadagnino's QUEER — starring Daniel Craig — opens Thu, Dec 4 (with an intro at Thu's 9pm screening from Jason Shawhan, senior film critic for the Nashville Scene) > bit.ly/Belcourt-QUEER
“This is a wonderful film for children…. It’s no less a film for adults, with its beguiling visuals and characters loaded with charm and individuality…. FLOW is a joy to experience but also a deeply affecting story, the work of a unique talent who deserves to be ranked among the world’s great animation artists.” —David Rooney, The Hollywood Reporter
Opening this Thu, Dec 5, from the boundless imagination of the award-winning Gints Zilbalodis (AWAY) — a wondrous journey through realms natural and mystical, FLOW follows a courageous cat after his home is devastated by a great flood. Teaming up with a capybara, a lemur, a bird, and a dog to navigate a boat in search of dry land, they must rely on trust, courage and wits to survive the perils of a newly aquatic planet.