Just announced! This Sat, Oct 26 at 1:30pm, a preview screening of Sean Baker’s ANORA, winner of the Palme d’Or at Cannes — before its full run opens Thu, Oct 31, with an opening week in exclusive #35mm!

• Preview screening tickets at link in bio, or bit.ly/Preview-ANORA
• Tickets for our exclusive #35mm screenings (Oct 31-Nov 7) at link in bio, or bit.ly/ANORA-35mm

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@anorafilm @bakerfilms @mikeymadisonsfeed @mark.eydel @neonrated @spicyivyboy @spicyivyboy @vachetovmasyan @karrenkaragulian @ekamasova @lindsey.bug ...

“CONCLAVE is among the very best pictures of the year. It’s a knockout.” —@theavc

Opening this Thu, Oct 24 at the Belcourt, from director Edward Berger (ALL QUIET ON THE WESTERN FRONT), CONCLAVE — with Ralph Fiennes, Stanley Tucci, Isabella Rossellini and John Lithgow (tickets at link in bio, or bit.ly/Belcourt-CONCLAVE). ...

“DON’T LOOK NOW remains one of the great horror masterpieces, working not with fright, which is easy, but with dread, grief and apprehension. Few films so successfully put us inside the mind of a man who is trying to reason his way free from mounting terror.”” re #RogerEbert.

Nicolas Roeg’s brilliant adaptation of Daphne Du Maurier’s short story, 1973’s DON’T LOOK NOW — with Donald Sutherland and Julie Christie — today (Sat, Oct 19) at 12:15pm + 7pm, and tomorrow (Sun, Oct 29) at 12pm* (*with an intro from @nancymcguireroche, assistant professor of cinema and television studies at @BelmontUniv) + 9:35pm. (Tickets at link in bio, or bit.ly/DONT-LOOK-NOW) #shocktober ...

• "The ultimate horror movie." —Guillermo del Toro
• "One of the few perfect movies ever made." —Quentin Tarantino
• "The most horrifying picture I`ve ever seen." —Stephen King

This coming Wed, Oct 16 at 5:30pm + 9:20pm, your last two chances to see the 50th anniversary restoration of THE TEXAS CHAIN SAW MASSACRE (🎟 tickets at link in bio, or bit.ly/TX-CHAIN-SAW-MASSACRE) #Shocktober ...

“A smorgasbord of camp, Grand Guignol, and bird imagery that thumbed its metal beak at commercial considerations just a few years before the director’s unexpected transformation into a successful Hollywood filmmaker.” —Ignatiy Vishnevetsky, A.V. Club

Brian De Palma’s 1974 PHANTOM OF THE PARADISE — today (Mon, Oct 14) at 5:20pm + 8pm, and this Fri, Oct 18 at 2:45pm + 7pm (tickets at link in bio, or bit.ly/PHANTOM-OF-PARADISE). Part of #Shocktober. ...

“If someone handed you $114,000 and said go to Pittsburgh and make the scariest movie you can in black-and-white with no sound effects or real actors, you probably couldn’t top George Romero’s NIGHT OF THE LIVING DEAD. It’s the funniest but most real-looking horror film ever made.” —San Francisco Chronicle

See George Romero’s NIGHT OF THE LIVING DEAD at the Belcourt as #Shocktober continues — this Fri, Oct 11 at 4:35pm + 9:10pm; Sat, Oct 12 at 2:40pm; Sun, Oct 13 at 5:50pm; and next Tue, Oct 15 at 5:30pm + 9:30pm (tickets at link in bio, or bit.ly/NIGHT-OF-LIVING-DEAD). ...

“With [Florence] Pugh and [Andrew] Garfield leading this tremendous love story, WE LIVE IN TIME becomes one of the best movie romances in years, and proves that few filmmakers can present the power of love quite like [John] Crowley can.” —@collider

WE LIVE IN TIME opens at the Belcourt on Thu, Oct 17, and tickets now on sale (link in bio, or bit.ly/WE-LIVE-IN-TIME).

@weliveintime @a24 @florencepugh @andrew_garfield83 #weliveintime #a24 #johncrowley #florencepugh #andrewgarfield ...

“It’s a horror classic of the highest order, a piece of master filmmaking by an iconic artist at the top of his game.” —Lee Jutton @filminquiry

Michael Powell’s 1960 masterpiece (endlessly analyzed and still shocking) PEEPING TOM concludes our Powell & Pressburger x6 series — and kicks off Shocktober. Screening today (Wed, Oct 9) at 3:20pm, 8pm* (*with an intro from Belcourt staff member Cody Lee Hardin) + Sun, Oct 13 at 3:40pm + 8pm (tickets at link in bio, or bit.ly/PEEPING-TOM). ...

Michael Powell’s still-shocking PEEPING TOM concludes our Powell & Pressburger x6 series — and also leads off our Shocktober selections this month. This 1960 masterpiece screens Wed, Oct 9 at 3:20pm, 8pm* (*with an intro from Belcourt staff member Cody Lee Hardin) + Sun, Oct 13 at 3:40pm + 8pm (tickets at link in bio, or bit.ly/PEEPING-TOM).

Here, Martin Scorsese talks about Michael Powell and PEEPING TOM, the film that’s said to have ended Powell’s career: “When I saw PEEPING TOM, my first reaction was ‘Could this have been the same man who made THE RED SHOES?’ But then, of course I realized thee was a very strong link between the two pictures…just as there’s sort of a vital continuity running throughout Michael’s pictures, with and without Emeric Pressburger. Michael was always showing us how very necessary art it…. In a sense, PEEPING TOM was his last work on the matter. It’s also one of his greatest films.”

NOTE: This Sun, Oct 13 at 1pm, we’ll have a final encore screening of the new documentary MADE IN ENGLAND: THE FILMS OF POWELL AND PRESSBURGER — rich in archival material, and presented/narrated by Martin Scorsese who explores the famous duo’s collaboration and body of work. ...

This Tue, Oct 8 at 8pm, another Belcourt #StaffPick! Programmed and introduced by Elle, it’s Ken Russell’s offbeat blend of spine-tingling terror and campy comedy THE LAIR OF THE WHITE WORM — screening in #35mm. And as Elle opines — “My deepest appreciation for the most compelling evil vibe in cinema: a sexy witchy anti-Christian snake goddess vampire villain in iconic sunglasses.” (Tickets at link in bio, or bit.ly/LAIR-OF-WHITE-WORM) 🐍🕶️🧛🏻‍♀️ ...

“Voluptuous in its beauty and passionate in its storytelling. You don’t watch it, you bathe in it” re #RogerEbert.

One of the most glorious Technicolor feasts ever concocted for the screen, Michael Powell’s and Emeric Pressburger’s beloved classic THE RED SHOES — dazzlingly restored — this Sat, Oct 5 at 12pm and next Mon, Oct 7 at 2:50pm + 8pm (tickets at link in bio, or bit.ly/THE-RED-SHOES). ...

“A mind-bending dark comedy about identity and the need to be truly seen.” —Screen International

In A DIFFERENT MAN — opening this Thu, Oct 3 (with an introduction from film critic Ken Arnold at Thu’s 7pm screening) —Writer-director Aaron Schimberg’s latest film is a surreal, singular tale of one man’s desire to self-actualize. Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare, as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost. (Tickets at link in bio, or bit.ly/A-DIFFERENT-MAN)

#adifferentman @aaronschimberg @imsebastianstan @adam_pearson_TV @A24 #aaronschimberg #sebastianstan #adampearson ...

“Worthy of every single accolade it will surely receive this year... This film is a gift.” —Screenrant

Now playing — writer-director Megan Park’s tender, surprising sophomore feature MY OLD ASS — a sweet teenage love story, a lively contemporary comedy, and a quirky riff on time-travel films — all in one. (Tickets at link in bio, or bit.ly/MY-OLD-ASS)

@myoldassfilm @maisystella @plazadeaubrey @megan_park @amazonmgmstudios #myoldassfilm ...