Part of 2024 In Tribute and Music City Mondays
While researching urban myths, grad student Helen Lyle (Virginia Madsen) learns about the Candyman (Tony Todd), a hook-handed killer who’s said to haunt a Chicago housing project. After a mysterious man matching the Candyman’s description begins stalking her, Helen comes to fear that the legend may be all too real.
Tony Todd’s astounding turn as the hook-handed boogeyman paired with Bernard Rose’s sweeping, impassioned directing, and further bolstered by Philip Glass’s epic score, helped ensure this incredible horror/romance hybrid from the twisted mind of Clive Barker would forever be ingrained in the cultural consciousness.
“What I liked was a horror movie that was scaring me with ideas and gore, instead of simply with gore.” —Roger Ebert, Chicago Sun-Times (Oct 16, 1992) “At its heart, CANDYMAN terrifies because of its ideas.” —Adam Smith, Empire Magazine “[An] unusually intelligent horror film.” —Oliver Lyttelton, IndieWire
