Part of Weekend Classics
In his controversial masterpiece THE GREAT DICTATOR, Charlie Chaplin offers both a cutting caricature of Adolf Hitler and a sly tweaking of his own comic persona. Chaplin, in his first pure talkie, brings his sublime physicality to two roles — the cruel yet clownish “Tomainian” dictator and the kindly Jewish barber who is mistaken for him. Featuring Jack Oakie and Paulette Goddard in stellar supporting turns, THE GREAT DICTATOR, boldly going after the fascist leader before the U.S.’s official entry into World War II, is an audacious amalgam of politics and slapstick that culminates in Chaplin’s famously impassioned speech.
“Chaplin conceived and filmed THE GREAT DICTATOR during a period when an accommodation with Hitler was still thought possible in some quarters; indeed, he must have been filming when Neville Chamberlain went to Munich. But Chaplin himself had no such optimism, and his portrait of Adenoid Hynkel, dictator of Tomania, was among the first declarations of war on Hitler. The film also prophesied the persecution of the Jews, and the scenes of storm troopers terrorizing the Ghetto were thought at the time to go too far. What a sad joke that seems today.” —Roger Ebert, Chicago Sun-Times (Mar 29, 1972)
