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Ends Thu, Aug 7

SORRY, BABY

When a beloved friend visits on the brink of a major milestone, Agnes (writer-director Eva Victor) starts to realize just how stuck she’s been. Infusing the character’s sardonic wit into its nonlinear formal structure and five-year duration, SORRY, BABY captures the complexities and inconsistencies, triumphs and setbacks of Agnes’ attempts to heal.

Sat-Tue, July 19-22

AFTERNOONS OF SOLITUDE

A spellbinding and immersive documentary that fixes its gaze on famed matador Andrés Roca Rey — from the meticulousness of his preparations to the charged spectacle of the arena. Through his immersive and unhurried lens, visionary director Albert Serra reveals Rey’s profound physical, spiritual and aesthetic commitment to a centuries-old duel between man and beast.

Sat, Jun 28 at Midnight

THE CABIN IN THE WOODS

A rambunctious group of college friends steal away for a weekend of debauchery in an isolated cabin, only to be attacked by horrific supernatural creatures in a night of endless terror in this metatextual mindmelter.

Sat, May 17 at Midnight

DICK TRACY

Warren Beatty’s loving and eccentric star-studded adaptation of Chester Gould’s long-running comic strip about a tough and intelligent police detective follows the square-jawed cop as he battles Big Boy Caprice's united mob.

Sat, Apr 19 at Midnight

SMILEY FACE

When she accidentally consumes an entire tray of weed cupcakes, Jane must cross town to repay an unforgiving drug dealer, attend an audition, and somehow replace the previous cupcakes in director Gregg Araki’s ultimate stoner comedy.

Sun, Mar 9 | 12:00pm-1:00pm

Remembering David Lynch with Alicia Witt

Join us for a Sunday afternoon chat with beloved Nashville-based actor (and Belcourt member!) Alicia Witt as we discuss her prolific oeuvre of work with David Lynch.

Sat, Mar 15 at 12:00pm

LYNCH/OZ

A fascinating, humorous and wholly satisfying entry to the canon of visual essays comprised entirely of clips from cinema’s grand history, LYNCH/OZ argues that no filmmaker has so consistently drawn inspiration — consciously or unconsciously — from a single work than David Lynch has from THE WIZARD OF OZ.

Sat, Feb 1 at 10:30am

Seminar: Nashville’s Brutalist Architecture

In conjunction with the new epic film THE BRUTALIST, the Belcourt presents a seminar spotlighting Brutalist buildings around Nashville. Led by architect Kem Hinton, this one-hour presentation will provide background on the divisive, frequently misunderstood architectural movement and feature slides from notable Brutalist buildings you might drive past every day. You’ll leave the seminar with locations for your own architecture tour and a new appreciation of the minimalist architectural style.

Fri, Jan 24 at Midnight

STRIP NUDE FOR YOUR KILLER

A spate of highly sexualized murders is rocking a prestigious Milanese fashion house. An ambitious photographer and her on-off, love-rat boyfriend team up to crack the case. But with the motorcycle helmet-wearing killer clearly bearing a grudge against the agency’s employees, it’s a matter of time before they too feel his wrath.

Mon, Jan 27 at 8:00pm

POPEYE

Robert Altman's rollicking musical take (thanks to a bussin score by Harry Nilsson) on the classic cartoon featuring Robin Williams as the titular sailor man and the unrivaled Shelley Duvall as the perfectly-cast live-action incarnation of Olive Oyl. Remembering Shelley Duvall and screenwriter Jules Feiffer

Search: The Room

SORRY, BABY

AFTERNOONS OF SOLITUDE

THE CABIN IN THE WOODS

DICK TRACY

SMILEY FACE

Remembering David Lynch with Alicia Witt

LYNCH/OZ

Seminar: Nashville’s Brutalist Architecture

STRIP NUDE FOR YOUR KILLER

POPEYE

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