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THE BRUTALIST
Ends Tue, Mar 4

THE BRUTALIST

Brady Corbet delivers a bold American epic starring Adrien Brody, Guy Pearce, Felicity Jones and Joe Alwyn, about a Hungarian architect who flees Europe after the war — giving up more and more of himself in the hopes of rebuilding his life and career. Nominated for 10 Academy Awards®
THE BRUTALIST (35mm)
Ends Sun, Feb 9

THE BRUTALIST (35mm)

Brady Corbet delivers a bold American epic starring Adrien Brody, Guy Pearce, Felicity Jones and Joe Alwyn, about a Hungarian architect who flees Europe after the war — giving up more and more of himself in the hopes of rebuilding his life and career. Nominated for 10 Academy Awards®
Seminar: Nashville’s Brutalist Architecture
Sat, Feb 1 at 10:30am

Seminar: Nashville’s Brutalist Architecture

In conjunction with the new epic film THE BRUTALIST, the Belcourt presents a seminar spotlighting Brutalist buildings around Nashville. Led by architect Kem Hinton, this one-hour presentation will provide background on the divisive, frequently misunderstood architectural movement and feature slides from notable Brutalist buildings you might drive past every day. You’ll leave the seminar with locations for your own architecture tour and a new appreciation of the minimalist architectural style.
KILL LIST
Sat, Jun 25 at Midnight

KILL LIST

Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
THE RIVALS OF AMZIAH KING
Opens Fri, Aug 21

THE RIVALS OF AMZIAH KING

Charismatic Amziah King (Matthew McConaughey) herds a bluegrass-playing band of misfits while overseeing the premier honey-making operation in town. When his estranged foster daughter (Angelina LookingGlass) unexpectedly returns, Amziah leaps at the possibility to renew the connection and create a family business in the ruthless Oklahoma underworld of honey traders. Directed by Andrew Patterson (THE VAST OF NIGHT).
TEENAGE SEX AND DEATH AT CAMP MIASMA
Opens Fri, Aug 14

TEENAGE SEX AND DEATH AT CAMP MIASMA

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection. But when she visits the original movie’s star (Gillian Anderson), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear and delirium. Directed by Jane Schoenbrun (I SAW THE TV GLOW), straight from the 2026 Cannes Film Festival.
MARY OLIVER: SAVED BY THE BEAUTY OF THE WORLD
Opens Fri, Jul 24

MARY OLIVER: SAVED BY THE BEAUTY OF THE WORLD

If poetry had a pop icon, Mary Oliver would be it. Celebrated best-selling poet, Pulitzer Prize-winner, lover of dogs and long walks in the woods, openly queer but intensely private, Oliver was America’s unlikely contemporary mystic. Featuring interviews with her close friends, never-before-seen personal photos, notebooks, and correspondence from her archive, this new film considers the poet’s long lifetime of work in context, capturing the uniqueness of her world and the natural beauty that inspired her.
REMAKE
Tue, Jul 21 at 1:00pm, 6:30pm

REMAKE

REMAKE follows filmmaker Ross McElwee as he reevaluates his approach to filmmaking following the death of his son — and the effort to adapt his 1986 project SHERMAN’S MARCH (screening July 19 and 21).
ASK E. JEAN
Opens Fri, Jul 10

ASK E. JEAN

E. Jean Carroll broke barriers as the first female editor at Esquire, Playboy and Outside, helping to redefine women’s roles in media with her sharp wit and fearless voice. In recent years, she became the only woman to beat Donald Trump twice in court. This film is a portrait of an indomitable woman who proved it’s never too late to reclaim your voice, rewrite your story and change the world.
THE LIGHTHOUSE
Sat, Jul 11 at Midnight

THE LIGHTHOUSE

From Robert Eggers (THE VVITCH) comes this hypnotic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1890s.