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Wed-Sun, Nov 4-8

POSSIBLE LOVE

A laid-off worker and his wife cross paths with a documentary filmmaker and her spouse in this eagerly anticipated new film from Lee Chang-dong (BURNING, POETRY), currently being hailed as his masterpiece on this year’s fall festival circuit. In this tale of yearning, envy and grief, the divide between the couples becomes increasingly tangled as the tensions mount.

Opens Thu, Nov 19

CLUB KID (35mm)

In his exuberant debut feature, writer-director Jordan Firstman stars as a carousing New York City club promoter whose lifestyle is upended by the unexpected responsibility of raising a 10-year-old son he never knew he had. Exclusive 35mm Engagement.

Sun, Oct 11 at 12:15pm, 7:00pm | Mon-Wed, Oct 12-14 at 6:05pm

NAZA

Shot at night on the rooftops of Tel Aviv, NAZA reveals the systems behind Israel’s bombing of Gaza and its mass killing of Palestinian civilians — and is titled for a military acronym used by Israeli intelligence to indicate the number of civilians that it expects will be killed in an airstrike. Directed by Yuval Abraham and Rachel Szor, two of the co-directors of the Oscar-winning documentary NO OTHER LAND.

Fri-Thu, Oct 16-22

Ken Russell’s THE DEVILS (35mm)

An enduring masterpiece of cinema starring Oliver Reed and Vanessa Redgrave, Ken Russell’s THE DEVILS is a prescient epic of obsession and corruption — and a defining work of art from seminal filmmaker Ken Russell. Ken Russell’s THE DEVILS is the uncut and unfiltered theatrical experience that Russell always envisioned — and the first time the film will be presented restored. Exclusive Engagement – New 35mm Print. Part of Shocktober and Ken Russell x4

Sat, Oct 17 at 10:00pm

12 Hours of Terror

Returning for its 15th incarnation — our quinceañscare-a if you will — the Belcourt’s annual all-night onslaught of eerie evocations again assaults the eyes and ears of our eager audience.

Fri, Oct 23 at 6:00pm, 10:00pm

EXISTENZ

What game designer Allegra Geller has created is a whole new way of gaming — eXistenZ by Antenna — plugs directly into the spinal column and uses the structure of the brain as its playing field. It’s causing pandemonium with the public, including a faction of fundamentalists who want her and her technology dead. No one does mind/body schism like David Cronenberg. Part of Shocktober

Opens Fri, Nov 13

ONCE UPON A TIME IN HARLEM

Conceived in 1972 by legendary filmmaker William Greaves and completed 50 years later by his son David, ONCE UPON A TIME IN HARLEM is an essential work of living archive, documenting a lively gathering of luminaries from the Harlem Renaissance during a cocktail party at Duke Ellington’s home.

Fri-Sun, Dec 11-13

CAMERON WINTER AT CARNEGIE HALL

Cameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie. Directed by Paul Thomas Anderson. Screening in 35mm

Fri-Thu, Oct 2-8

IF I GO WILL THEY MISS ME

Big Ant is just out of prison and struggling to reconnect with his wife and adolescent son, Lil Ant, a sensitive artist who begins to see surreal, almost spectral visions of boys drifting around his neighborhood. A blend of social and magical realism with allusions to Greek mythology, the film has its head in the clouds without losing sight of the street-level conditions that shape its characters’ lives.

Now Playing

HA-CHAN, SHAKE YOUR BOOTY!

Haru and Luis love competing in Tokyo’s ballroom dance scene, but after tragedy strikes, Haru withdraws into isolation. When friends coax her back to the studio, she develops an infatuation with the new instructor — and she must face what comes next as sparks fly. Grief, romance, Fosse-like dance numbers and little magical realism collide in a true crowd-pleaser from this year’s Sundance Film Festival.

Search: list

POSSIBLE LOVE

CLUB KID (35mm)

NAZA

Ken Russell’s THE DEVILS (35mm)

12 Hours of Terror

EXISTENZ

ONCE UPON A TIME IN HARLEM

CAMERON WINTER AT CARNEGIE HALL

IF I GO WILL THEY MISS ME

HA-CHAN, SHAKE YOUR BOOTY!

In Theatre

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Thursday, Oct 1

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