Film Seminars | Discussions | Intros

A celebration of life filled with raw honesty, surreal bursts of imagination and brazen irreverence, ANDRÉ IS AN IDIOT shows us what it really means to live happily, truthfully, and hilariously. In this Sundance award winning documentary, André Riccardi sets out to chronicle his final journey after receiving a diagnosis he could have prevented, through comedic vérité storytelling and fantastical stop-motion interludes.

SOLD OUT – “Traces to Nowhere” — Agent Cooper enjoys the comforts of the Great Northern Hotel. Bobby Briggs and Mike Nelson are released from jail. Doctor Hayward hands over the autopsy report on Laura Palmer.

“Zen, or the Skill to Catch a Killer” — Ben Horne's brother, Jerry, arrives in Twin Peaks; together they travel to One Eyed Jack's and meet with the madam, Blackie O'Reilly. Audrey leaves a clue for Cooper. Deputy Hawk finds a bloody towel near the crime scene.

Told over eight chapters, this visceral investigative essay documentary from director Valerie Veatch is an urgent excavation of the philosophical, cultural and political forces driving the global A.I. boom.

Live at the Belcourt: How Music Helped Us Rebuild traces the return of live music to our historic stage during our early, uncertain years as a nonprofit arts center. As we worked to rebuild audiences and stabilize the organization, local organizers, promoters and artists stepped forward, bringing concerts back to the theatre and restoring energy and community engagement. In the process, the 1925 Hall’s stage became an early home for a rising movement of artists who reshaped the city’s musical identity for a new century.

Part of Music City Mondays and Staff Picks and programmed by Ellen, who says: “A KNIGHT’S TALE has always stood out in my mind as an instant classic. Not only is the dreamy Heath Ledger the protagonist, but every character is perfectly cast, the one-liners rattle around in your head and always solicit a giggle, and the soundtrack is banger after banger!”

SOLD OUT – “Rest in Pain” — Cooper meets with Audrey, who confesses to leaving him the note about One Eyed Jack's. Cooper tells Truman he can't remember who the killer was in his dream, but insists the dream is a code to solving the crime.

“The One-Armed Man” — Cooper questions Dr. Jacoby, who suspects Leo Johnson is the killer. Gordon Cole, Cooper's supervisor, calls in with Albert's report. Josie Packard spies on Ben Horne and Catherine Martell. Hawk tracks down the One-Armed Man.

“Cooper’s Dreams” — Cooper and company have tea with the Log Lady, who tells them there was a third man following after Leo and Jacques the night Laura died. At Jacques Renault's cabin Cooper, Hawk, and Truman find Waldo the bird.

After accidentally murdering the love of his life, Jeffrey Franken decides to reanimate her with the help of a drug named Supercrack — and the body parts of a dozen streetwalkers. Frank Henenlotter’s bad taste triumph revels in sublime camp, gloopy gore and neon-soaked dreamscapes.

The deranged granddaughter of the infamous Robert Wiene creation from his silent classic THE CABINET OF DR. CALIGARI performs outrageous experiments on her psychosexually disturbed patients at the C.I.A. (Caligari Insane Asylum).

During a mission to Mars, American astronaut Mark Watney is presumed dead and left behind. But he’s still alive. Against all odds, Watney must find a way to contact Earth in the hope that scientists can devise a rescue plan to bring him home.

SOLD OUT – “Realization Time”— Audrey cons her way into working at the perfume counter where Laura worked and discovers that it's being used as a recruitment post for One Eyed Jack's. James, Donna and Maddy plan to lure Jacoby away from his office.

“The Last Evening”— Audrey is hired at One Eyed Jack's, but is caught in a trap when her father arrives. Cooper gets Jacques Renault to reveal the details of Laura's last night in the cabin. Deputy Andy saves Truman's life and apprehends Renault.

Grace Glowicki writes, directs and gives a barkingly daring lead performance in this bizarre, performance art-coded, gender-bending lo-fi Frankenstein comedy about a lonely gravedigger who will do anything to build the perfect man. Preceded by a live opening set from U.S. Girls, who scored the film.

When an aimless young punk accidentally stumbles into the intense world of vehicular repossession, he gets caught up in the search for a 1964 Chevy Malibu which may or may not be carrying the corpses of several extraterrestrials in its trunk.

Part of Staff Picks and programmed by Jessie, who says: “Grab your best friend — time to fall in love with PRETTY WOMAN all over again! In true Vivian fashion it would be ‘a big mistake, HUGE’ to miss on the big screen."