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Wednesday screenings are open captioned, when available. Look for the OC icon.

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TAXI DRIVER
Fri, Feb 20 at Midnight

TAXI DRIVER

Martin Scorsese’s Paul Schrader-penned tale of an unstable New York cabbie driven to violence by loneliness and desperation celebrates its 50th anniversary.
MY UNDESIRABLE FRIENDS: PART 1 – LAST AIR IN MOSCOW
Wed, Jan 14 at 5:30pm | Thu, Jan 15 at 1:40pm

MY UNDESIRABLE FRIENDS: PART 1 – LAST AIR IN MOSCOW

What begins as an intimate portrait of Russian independent journalists facing persecution by Putin’s regime takes a drastic turn when Russia starts a full-scale war in Ukraine and they are all forced into exile. The film offers a front row seat to how authoritarianism works and the lives of those who resist, which becomes all the more globally relevant every day.
Seminar: A History of Nashville’s Film Culture: A Century of Filmmaking in Music City + RANCHO DELUXE
Mon, Jan 12 | Seminar at 7:00pm, Film at 8:00pm

Seminar: A History of Nashville’s Film Culture: A Century of Filmmaking in Music City + RANCHO DELUXE

Tracing a century of filmmaking in and about Music City, this seminar explores how Nashville became both a subject and a site for American cinema. From Southern stories to music-driven productions, it also highlights Belcourt's enduring role in shaping — and showcasing — the city’s evolving film culture. Includes a screening of RANCHO DELUXE immediately following at 8:00pm.
DEAD POETS SOCIETY
Thu, Feb 5 at 2:50pm, 8:00pm

DEAD POETS SOCIETY

Directed by Peter Weir and written by Nashville native Tom Schulman, DEAD POETS SOCIETY stars Robin Williams as a teacher who inspires students to defy conformity. Featuring Ethan Hawke and Robert Sean Leonard, the story draws from Schulman’s experience at Montgomery Bell Academy, shaping the film’s Nashville themes and setting.
DOWNHILL RACER (35mm)
Sun, Jan 11 at 4:45pm

DOWNHILL RACER (35mm)

In a beautifully understated performance, Redford Redford plays a ruthlessly ambitious skier competing for Olympic gold with an underdog American team in Europe, and Gene Hackman provides tough support as the coach who tries to temper the upstart’s narcissistic drive for glory. Astonishing Alpine location photography and breathtakingly fast and furious imagery bring the viewer directly into the mind of the competitor.
THE CANDIDATE (35mm)
Sat, Jan 10 at 12:00pm | Sun, Jan 11 at 7:00pm

THE CANDIDATE (35mm)

In this timeless tale of contemporary politics, Robert Redford plays Bill McKay, an idealistic California attorney running for office. Captivating the electorate's attention, his long-shot candidacy attracts the attention of the party machine, and McKay must decide whether he can effect a greater change as a part of the government — or retain his integrity and lose.
THE CHRONOLOGY OF WATER
Opens Fri, Feb 6

THE CHRONOLOGY OF WATER

Based on the memoir by Lidia Yuknavitch, the directorial debut of Kristen Stewart is a raw and unflinching portrait of survival, sexuality and self-invention. Told as a fluid memory wash, the story transforms her trauma into art. It is not only a chronicle of a woman becoming a writer, but a visceral journey through the wreckage and resilience of a life lived against the grain.
THE VOICE OF HIND RAJAB
Opens Fri, Feb 6

THE VOICE OF HIND RAJAB

Oscar-nominated director Kaouther Ben Hania blends actual recordings and scripted performances to tell the devastating true story of Hind Rajab, a Palestinian girl trapped in a car under Israeli military fire, and the first responders who tried to save her. Nominated for the Academy Award® for Best International Feature Film
RESURRECTION
Now Playing

RESURRECTION

In a sci-fi-coded world where people have lost the desire to dream, rogue “fantasmers” stoke their imaginations and the film’s ever-morphing protagonist (Jackson Yee) veers through a series of genres, from Méliès-inflected silent fantasy to wartime thriller to con-artist buddy picture to millennial vampire romance — the latter depicted in one of Bi Gan’s customary, and ever astonishing, single takes. A monumental love letter to a century of cinema.
THE WAY WE WERE
Wed, Feb 4 at 5:30pm

THE WAY WE WERE

Set against the political backdrops of the lead-up to World War II and later McCarthyism, a diametrically opposed couple (Barbra Streisand and Robert Redford) come together only to find that genuine friendship and physical attraction is not enough to overcome fundamental societal beliefs. Directed by Sydney Pollock (see also JEREMIAH JOHNSON).