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David Lynch: A Retrospective

Perhaps no artist better epitomizes the narrative freedom of the American arthouse than David Lynch. At once reverent to the classic cinema that came before him and fearlessly experimental and modern, Lynch’s cinema was one entirely of its own. His films exist in a netherworld of imagined nostalgia, magical realism and unbridled, joyous creativity, and they’ve pushed the bounds of the art
form and inspired countless pretenders for nearly five decades. But there’s no substitute for the special weirdness this auteur of the outré brought to his singular, nightmarish, but ultimately humane visions. Each film is also an exploration of genre that uses his unique perspective and odd obsessions to plumb the complex and darkened depths of human emotion. In deference to the artist’s recent passing, we dive into his oeuvre and salute the master with a stiff black coffee and some damn good pie.

MULHOLLAND DRIVE
Tue, Mar 11 at 5:10pm, 8:20pm

MULHOLLAND DRIVE

The movie is a sensual mystery — with Betty and Rita at the center of secrets. The movie within the movie is a biography — with Diane and Camilla telling each other’s story. The dream is of betrayal, of facing the undeniable moral truth of oneself. The rest is silence. Preceded by short film The Alphabet.
BLUE VELVET
Wed, Mar 12 at 3:50pm, 9:15pm

BLUE VELVET

While staying with his family after his father is suddenly hospitalized, Jeffrey Beaumont (Kyle MacLachlan) happens across a severed human ear on a walk — a discovery that leads him on a dark investigation into the seedy underworld of his idyllic hometown. Preceded by short film Premonitions Following An Evil Deed.
TWIN PEAKS: FIRE WALK WITH ME
Wed, Mar 12 at 1:00pm, 6:25pm

TWIN PEAKS: FIRE WALK WITH ME

In the last seven days of her life, Laura Palmer, besieged by a transuniversal conflict reaching back into infinity, must face her own immovable destiny amongst the myriad of secrets in the town of Twin Peaks. Preceded by short film The Amputee (V. 2).
Remembering David Lynch with Alicia Witt
Sun, Mar 9 | 12:00pm-1:00pm

Remembering David Lynch with Alicia Witt

Join us for a Sunday afternoon chat with beloved Nashville-based actor (and Belcourt member!) Alicia Witt as we discuss her prolific oeuvre of work with David Lynch.
DUNE (1984)
Thu, Mar 13 at 5:30pm

DUNE (1984)

Thirty-five years before Denis Villenueve’s 2020s two-part adaption, Frank Herbert’s enduring science fiction classic came to life on screen, via David Lynch. The universe itself quakes in battle over a rare spice and an ancient prophecy of a forthcoming messiah.
ERASERHEAD
Fri, Mar 14 at 4:05pm, 9:30pm

ERASERHEAD

In David Lynch's nightmarish first feature, Henry Spencer (Jack Nance) copes with the daily grind of his strange industrial life as his girlfriend and her mutant newborn move into his apartment. Preceded by short film The Grandmother.
INLAND EMPIRE
Sun, Mar 16 at 4:25pm

INLAND EMPIRE

A Woman in Trouble. An actress stars in a remake of a cursed film, and every opened door fragments what we understand as reality. Laura Dern opens the door, stepping through it, and into the infinite.
LOST HIGHWAY
Fri, Mar 14 at 1:15pm, 6:40pm | Tue, Mar 18 at 5:10pm, 8:00pm

LOST HIGHWAY

A love triangle beyond the reach of death itself. The lives of the saxophonist and the car repairman intertwine in the path of the woman/the women (Academy Award winner Patricia Arquette) they loved/they killed. It doesn’t matter how fast you drive — you can’t outrun yourself. Preceded by short film Six Men Getting Sick.
What the Magician Sees: A Seminar Through the Eyes of David Lynch
Sat, Mar 15 | 11:00am-12:00pm

What the Magician Sees: A Seminar Through the Eyes of David Lynch

From delicate art school beginnings in industrial Philadelphia captured in ERASERHEAD through the uncertainties of blue tomorrows in the Hollywood Hills in his Psychogenic Fugue Trilogy, this seminar is a survey of the late David Lynch’s work throughout the visual arts.
LYNCH/OZ
Sat, Mar 15 at 12:00pm

LYNCH/OZ

A fascinating, humorous and wholly satisfying entry to the canon of visual essays comprised entirely of clips from cinema’s grand history, LYNCH/OZ argues that no filmmaker has so consistently drawn inspiration — consciously or unconsciously — from a single work than David Lynch has from THE WIZARD OF OZ.