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SORRY TO BOTHER YOU
Fri, May 1 at Midnight

SORRY TO BOTHER YOU

Fearlessly ambitious, scathingly funny and thoroughly original, this satirical tale of a telemarketer in alternate-present Oakland loudly heralds the arrival of a fresh filmmaking talent in writer-director-musician Boots Riley.
REPO MAN
Sat, May 2 at Midnight

REPO MAN

When an aimless young punk accidentally stumbles into the intense world of vehicular repossession, he gets caught up in the search for a 1964 Chevy Malibu which may or may not be carrying the corpses of several extraterrestrials in its trunk.
PRETTY WOMAN
Tue, May 5 at 8:00pm

PRETTY WOMAN

Part of Staff Picks and programmed by Jessie, who says: “Grab your best friend — time to fall in love with PRETTY WOMAN all over again! In true Vivian fashion it would be ‘a big mistake, HUGE’ to miss on the big screen."
DR. CALIGARI
Sat, Apr 18 at Midnight

DR. CALIGARI

The deranged granddaughter of the infamous Robert Wiene creation from his silent classic THE CABINET OF DR. CALIGARI performs outrageous experiments on her psychosexually disturbed patients at the C.I.A. (Caligari Insane Asylum).
YES
Now Playing

YES

In the days following October 7, jazz musician Y. and his wife surrender themselves and their art to Israel's social, political and military elite and become entrusted with a mission — to compose a new national anthem. Fierce, maximalist and intentionally confrontational, this incendiary work from Israeli director Nadav Lapid (SYNONYMS) is a blistering exploration of nationalism, art and identity.
THE CHRISTOPHERS
Ends Sun, May 10

THE CHRISTOPHERS

A freelance art restoration specialist receives a tantalizing proposition from the heirs of an ailing painter: apprehend and complete a series of long-abandoned paintings from their father’s London home, and receive a third of the profits from the sale of the paintings following his imminent death. Michaela Coel and Ian McKellen make a brilliant pairing in Steven Soderbergh’s incisively witty chamber comedy about art, commerce and avarice.
PALESTINE ‘36
Ends Sun, May 3

PALESTINE ‘36

Palestine, 1936. As villages across Mandatory Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. Director Annemarie Jacir moves her story forward at pace, balancing plot lines, tones and character motivations against shaping forces of economics, politics and identity.
GHOST IN THE MACHINE
Wed, Apr 15 at 3:25pm, 6:00pm

GHOST IN THE MACHINE

Told over eight chapters, this visceral investigative essay documentary from director Valerie Veatch is an urgent excavation of the philosophical, cultural and political forces driving the global A.I. boom.
TWO PROSECUTORS
Now Playing

TWO PROSECUTORS

Set during the height of Stalin’s Great Terror, the great Ukrainian director Sergei Loznitsa’s pitch-black absurdist tale concerns an idealistic government-appointed prosecutor who sets out to expose the mistreatment of a dissident Bolshevik writer who has been jailed and tortured without evidence of wrongdoing. Loznitsa constructs his story with a patient yet unmistakable sense of mounting dread, focusing on the devastating minutiae that allows fascism to function in our world.
SEEDS
Sat, Mar 28 at 12:15pm, 6:15pm | Sun, Mar 29 at 3:00pm | Tue, Mar 31 at 5:15pm

SEEDS

As both director and cinematographer, debut filmmaker Brittany Shyne immerses the viewer in the absorbing rhythms and intimate materiality of African-American farm life in Georgia. As government support for Black farmers dwindles, exquisite black-and-white imagery lovingly captures the rough-worn hands, faces and tools-of-trade of octogenarian patriarchs fighting to preserve their family legacies and century-old homesteads.